plinth: 92 x 38 x 28 cm framed: 39.5 x 31.5 x 2.6 cm Fabric mask, wax sculpture, steel rod and wooden plinth, 56 x 14 x 10 cm, plinth: 92 x 38 x 28 cm © Gillian Wearing, courtesy Maureen Paley, London / Hove Turner Prize-winning artist Gillian Wearing is best known for her photographic and video works exploring the projection and protection of individual identity both in herself and others. Wearing isn’t the first Young British Artist of the 1990s to come out as a painter in middle age. It is hard to believe they are all the same person. A quick phone call from gallerist Maureen Paley to Wearing answered my query. Like any truly honest and brave self-portrait painter, Wearing sees someone else every time she looks in the mirror or takes a selfie. The first mask she strips off here is her official artistic identity as someone who works with a camera. Gillian Wearing RA 57 - LOCKDOWN PORTRAIT. (125.7 x 81cm.) framed watercolour on paper Wearing looks at herself from the outside, as an object. Peeling back the mask … Lockdown Portrait. Wearing is looking away from the onlooker, into her own enigmatic space. 30.9 x 23 cm She looks like she could do with a break from thinking about it. Gillian Wearing will exhibit new works created during the Covid-19 pandemic at Maureen Paley from 16 September - 25 October 2020. maureenpaley.com. 2020, Your Views Artwork details Painting | Watercolour. Gillian Wearing RA 57 - LOCKDOWN PORTRAIT. Gillian Wearing was born in 1963 in Birmingham, England as Gillian Clare Wearing. A Masked face over mouth and nose greets you as you enter Gillian Wearing’s Lockdown exhibit. Courtesy of the artist and Maureen Paley. Jonathan Jones, Gillian Wearing's lockdown self-portraits peel back the mask and show the truth, The Guardian. 12 1/4 x 9 1/8 inches A highly ranked UK artist, Gillian Wearing is about to present new series of works made during the lock down at Maureen Paley in London. )_ C-print 49 ½ x 31 7/8in. If the artist is not looking directly us, it means she isn’t looking at herself in the mirror, either. Turner Prize-winning artist Gillian Wearing is best known for her photographic and video works exploring the projection and protection of individual identity both in herself and others. framed: 39.5 x 31.5 x 2.6 cm 22 x 5 1/2 x 3 7/8 inches The antithesis of this form of female representation is Gillian Wearing’s captivating performance video, Dancing in Peckham, (1994). It’s true Wearing has skill. • Wearing’s Sacha and Mum (1996) is in 60 Years at Tate Britain until spring 2020 Appeared in The Art Newspaper , 319 January 2020 More Interview Topics Artist interview (125.7 x 81cm.) Untitled (lockdown portrait), 2020 by Gillian Wearing, oil on board 30.5 x 40.5 cm © Gillian Wearing, courtesy Maureen Paley, London / Hove It might be a new medium but the paintings bear all the marks of the artist’s best-known work: the tensions between public and private, between our inner and outer selves. The show starts with a poetically bleak homage to the early 20th-century painter Gwen John in which Wearing sits brooding wretchedly in a long red dress. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. But where some have stumbled unconvincingly into oils, hamfistedly doodling in a shed on their estate, she has a technical competence to shut up the most fastidious connoisseur. 31 x 23 cm But in the quiet and loneliness of lockdown earlier this year, Wearing set out to peel off all the layers and see herself inside herself, a woman without a mask. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Gillian Wearing - Mask Masked, 2020. 30 x 30 cm Wearing Gillian Gillian Wearing in collaboration with Wieden + Kennedy HD film for projection with sound 5 minutes 2018. Address. Jul 15, 2014 - Explore Scott Chainey's board "Gillian Wearing" on Pinterest. The mask has fascinated and preoccupied Gillian Wearing in her artistic practice and takes on an even greater significance in her sculpture Mask Masked, 2020, especially now when the proliferation of masks has reshaped our collective identity, day-to-day appearance and reality. Another big part of my job is shooting sports. 30.3 x 22.8 cm She could almost be dead. Gillian Wearing, Lockdown Portrait, 2020, watercolour on paper, 39.5 x 31.5 cm. 31 x 23 cm Lockdown A face wearing a mask over mouth and nose greets you as you enter Gillian Wearing’s exhibition Lockdown. Then, as she builds up confidence in her ability to do a self-portrait, she starts using oil paints. The outer mask is easy to remove: you take it off and feel like yourself again. Artwork details Painting | Watercolour. Some of these paintings were done with a mirror but others were set up as photographs, then painted – another layer of self-alienation. We never see why Wearing’s lockdown was so hellish. Tom Cornelius. A face that greets you as you enter Wearing’s exhibition Lockdown. But in the quiet and loneliness of lockdown earlier this year, Wearing set out to peel off all the layers and see herself inside herself, a woman without a mask. 30.5 x 40.5 cm oil on board Gillian Wearing: Lockdown is at Maureen Paley, London, until 25 October. “The shows must go on – what not to miss during Frieze week this year.” Apollo Magazine (October 8, 2020) [ill.] [online] Jones, Jonathan. 2020 Jonathan Jones, Gillian Wearing's lockdown self-portraits peel back the mask and show the truth, The Guardian Jonathan Jones, A lockdown portrait, a trip to the seaside and America's bad dream – the week in art, The Guardian Harriet Lloyd-Smith, At home with artist Gillian Wearing, wallpaper.com Linder 47 - SUPERAUTOMATISM III Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches [Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. 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